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In Which Anastasia Writes A Review

January 28, 2017 Leave a comment

Dearest readers,

I just wanted to take some time to share this review from my fiance Anastasia on the play “Informed Consent” by Zoe Laufer.

Anastasia’s take on the play is much more critical than others, and I find myself largely in agreement with her criticisms. The issues raised in “Informed Consent” are complicated and require careful and subtle understanding. To heighten the drama, it seems to me that complexity is substituted for one-dimensional conflicts that simplify and obscure, rather than elucidate, the problem.

The scientist has motivations that make her obsession with the research much more personal than what happened in real life, and I believe that this skews the conversation that the play tries to create against the scientific research aspect. Like other plays Anastasia has reviewed, such as Tom Stoppard’s “The Hard Problem,” it seems that the drive to create a compelling narrative for the heart overtakes the story for the brain. Complex ethical and philosophical issues can be explored in theater, but “Informed Consent” and “The Hard Problem” do the topics that they cover a disservice and, therefore, their audiences.

Make no mistake: I certainly believe that we should have these kinds of difficult conversations, especially the one that “Informed Consent” tries, but fails, to elucidate. But narratives can be a dangerous way to approach them, and these two plays show why. Ascribing emotional, personal motivations to the researcher undercuts the argument in favor of scientific research while doing nothing to really advance our understanding of the ethics involved between the Native American tribe and the researchers.

In case you’re wondering, in large part I sympathize with the Havasupai Tribe’s concerns and I think that the University and the researchers erred and acted somewhat unethically. But I do not believe that automatically makes the scientific questions raised and the answered found ethically wrong, or morally wrong. My hope is that, in the future, researchers will tread carefully and ensure that they do have consent for the kinds of genetic studies that they want to perform.

I also hope that if someone writes a play about future ethical issues in scientific endeavors they will not distill the side of science into a character with made-up questionable and personal motivations that were not present in the real events that seem to poison the well for science and scientific investigations.

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